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Everything we like is a psyop

The rise of indie rock band Geese has prompted debate over authenticity in marketing. Reports reveal they used a firm, Chaotic Good, to engineer their popularity on platforms like TikTok, raising concerns about industry manipulation. This trend isn't unique to music; startups use similar tactics, leading to a shift in how audiences perceive viral success. Fans must now discern between genuine talent and marketed personas in a digital age.

Key points

  • Geese's album 'Getting Killed' gained significant attention, suggesting they could be America's next big rock band.
  • A marketing agency, Chaotic Good, used social media manipulation to create a perceived demand for Geese and similar acts.
  • The strategy involves using numerous fake accounts to simulate trends and popularity, affecting public perception.
  • This phenomenon is also seen in Gen Z startups, which utilize similar marketing tactics to promote their products.
  • Industry strategies can lead to fan desensitization regarding what constitutes authentic musical success versus artificial hype.

Why it matters

  • The use of social media manipulation echoes the historical emergence of 'industry plants' in music, creating controversy around authenticity.
  • Current technology trends highlight how algorithm-driven content and marketing strategies influence public opinion and consumer behavior.
  • The Dead Internet Theory raises concerns about the authenticity of online content, further debunking popular narratives created through artificial means.

In an age of pervasive digital marketing, fans face a dilemma in distinguishing genuine music from orchestrated hype, prompting a necessary reevaluation of how we perceive artistic success in the modern era.